Hellions (2015)


Rating: D-/ Wow. This is one the more ridiculous films I’ve had the displeasure of seeing lately. Not to be confused with Kat Candler’s wonderfully authentic 2014 drama Hellion, Bruce McDonald’s Hellions is both implausible even for a slasher and at times unintentionally hilarious. The best worst part this sumptuous feast of cheese offered up for me was the scene where the pregnant teenage heroine Dora (Chloe Rose) imagines her reflection in the mirror gobbling up an incredibly fake-looking human fetus after sprinkling it with a little salt and enthusing about how ‘good it tastes.’ Seriously? Who wrote this fucking script?

I have to admit I wasn’t a fan of McDonald’s earlier efforts The Tracey Fragments and Pontypool (I actually did an inner face-palm when I saw his name in the opening credits- Bruce McDonald? That Bruce McDonald?) but I must say this was the cream of the crap, so to speak. Looking at the quality alone I would have guessed this was a film student’s first feature, not the work of a director with several films under his belt. The gaping plot holes, the ludicrous storyline, the frustrating purplish-pinkish lighting that pervades through most of the movie- I say that anyone who loved this movie needs to be checked for a brain. Still, it isn’t a complete bust, because I really needed a new scathing review for my blog. Here it is, folks. You’re welcome.

Seventeen-year-old punk-goth Dora Vogel finds out she’s like, totally preggers one Halloween which is sure to be unlike any other she’s ever experienced. That night, what appears to be some creepy trick-or-treaters routinely torment her and eventually offer her her boyfriend (Luke Bilyk)’s head in a bag. Rude! Dora decides to fight back and is aided in her battle by local cop Mike Corman (Robert Patrick,) who randomly takes her with him into the house and hands her a gun. Seriously, can’t you lose your job for putting a teenaged girl’s life is grave danger and just handing her a loaded weapon. Anyone can be a cop apparently. And learning how to load and unload a gun doesn’t take, like, training or anything.

None of the authority figures act the way they should in this movie. Instead of immediately coming to her assistance, the 911 operator waffles and asks Dora if the killers are ‘playing some kind of joke on her’ after Dora has already provided the details for her. They put her boyfriend’s motherfucking head in a motherfucking bag, lady. Do you think you could send some fuckin’ back up before someone else loses their crown? Then there’s the little satanic moppets who want Dora’s baby for some Rosemary’s Baby type shit. They wear screwed-up masks (one of which looks like it came straight off the kid from The Orphanage) and keep trilling ‘Blood for Baby!’ in weirdo distorted voices. Turns out, Dora’s little angel is growing at a rapid rate- and plans to feed on her flesh as soon as it emerges from her body. The evil trick-or-treaters’ jobs are to see this plan to completion.

But this movie is so darn corny and ridiculous to care what will happen to Dora or whether she will be devoured by Baby Munster. The lighting is distracting- it feels very unnecessary and low-budget and detracts from a movie that has enough damn problems to begin with. The special effects and acting are surprisingly on a scale of not-so-terrible to pretty good, but the script is ludicrous and suffers from a multitude of exasperating implausibilities and plot holes. We see that Dora’s tormentors are not quite human when salt gets poured on one of them and it literally sizzles and perishes on the spot, but Dora doesn’t get the idea to use the salt as a weapon until 2/3 of the way into the movie.

Maybe she sees salt melt people on a regular basis. I was like use the salt, use the salt, use the salt! The Frog Brothers could have told you that. But you can’t guide the character in a horror film’s decision-making. That’s what video games are for. Dora remains infuriatingly obtuse and the police force remains bollocks and this movie remains lame. Lame and implausible and oh-so-very cheap. If unintentional comedies are your thing, this movie may be your new favorite cult classic. If you want an intelligent, well-constructed horror movie that doesn’t make you roll your eyes, oh, every five seconds, stay far, far away from this appalling dud.


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