Tag Archives: Witches

Movie Review: The Witch (2015)

witchposter

Rating: B+/ The Witch is a good example of a film you should go into blind, knowing next to nothing about it’s story. It’s a bit of a slow burn, definitely not for everyone, though those with the patience to soldier through it’s sluggish bits will be rewarded by the film’s eerie, cynical conclusion. In 1630’s New England, a dysfunctional puritan brood, led by the devoutly Christian William (Ralph Ineson) eke out an existence in the middle of fucking nowhere, shortly after leaving their home village due to religious differences with the town elders. No sooner are they living off the grid, so to speak, than the infant son of William and his wife Katherine (Kate Dickie) vanishes seemingly into thin air while their teen daughter (Anya Taylor-Joy) is watching him, and some weird shit starts going down in the woods surrounding their small farmstead. Continue reading Movie Review: The Witch (2015)

Advertisements

Movie Review: Stardust (2007)

stardust_movie_poster

Rating: A/ Once in a while a movie comes out that’s just plain fun. Stardust is such a movie. If there was ever a film that was able to invoke the spirit of The Princess Bride while still managing to bring something new and interesting to the table, Stardust is it. It’s a simply magical romp featuring witches, princesses, spells, and crusading sky pirates, a hip, funny, a raucous fairy tale with some genuinely scary moments and a unique sensibility all it’s own. Continue reading Movie Review: Stardust (2007)

Spirited Away (2001)

Hayao Spirited Away Poster

-Watched English-Dubbed Version-

If you’ve never seen anything by master animator and storyteller Hayao Miyazaki, you’re missing out. The esteemed filmmaker has several fantastic films to his credit, and 2001’s coming-of-age fantasy Spirited Away may be his most magical of all. The wealth of creativity on display in Spirited Away more than makes up for it’s occasional holes in plot and character development, and the heroine Chihiro’s wondrous (if sometimes scary) adventures should appeal to both the young and the old.

At the film’s start, Chihiro (voiced by Daveigh Chase) is a somewhat whiny and entitled nine-year-old girl with an even more entitled pair of parents (Michael Chiklis and Lauren Holly) who are moving their moody preteen daughter to a new house. In the spirit of adventure (or so he thinks,) dad takes a short cut and finds himself in what he thinks is an abandoned theme park. He gets out of the car to take a look around, finds an unattended banquet, and he and his wife throw caution to the wind and begin to arbitrarily chow down (sure, wouldn’t anyone?)

Chihiro refuses to partake and is spared the fate of being transformed into a pig, but her parents are not so lucky. Turns out the ‘theme park’ is a bathhouse for the spirits, and Chihiro must get over her orneriness and aversion to hard work in order to save her parents from becoming the next entree for the creatures inhabiting the magical realm. Along the way, she meets a brooding and mysterious boy (Jason Marsden) who moonlights as a dragon, and evades the evil clutches of Yubaba (Suzanne Pleshette,) a malevolent sorceress and overprotective mother of a infant monstrosity worthy of Eraserhead.

hayaoflowerssen-spiritedaway

There’s commentary abound concerning (American?) decadence, greed, and laziness, including a creature called ‘No-Face’ who  idly feeds off the materialism of others while becoming increasingly grotesque and corpulent, but Spirited Away never becomes pedantic in it’s nuanced delivery of it’s message. One issue I see with the script is that the supporting characters don’t always have a lot of motivation for what they do. For example, the six-armed Boiler Man spirit (David Allen Ogden Stiers) sticks up for Chihiro shortly after her arrival at the bath house, more or less because the script requires him to.

He’s not developed in a way that this is a particularly feasible decision for him, just as Yubaba’s twin sister is a wildly inconsistent creation. One moment she threatens to ‘tear Chihiro’s mouth out’ if she blabs her secret, the next she asking her to call her ‘granny.’ Whaat? The exceptions Yubaba, whose behavior is unkind, but consistent,  and Chihiro and the boy, Haku, who have a fluid and interesting character arc.

However, Spirited Away is boundlessly inventive and visually stunning; a menagerie of intense color and bizarre creatures that stands up to multiple watches and should enrapture the imaginations of kids and adults alike. It’s certainly not dumbed down to the intellect of a slow five-year-old like a lot of kiddie matinee, it takes it’s young audience seriously and doesn’t treat them like morons;  that’s what’s so great about Hayao Miyazaki as a filmmaker, isn’t it? He trusts that kids will get things and doesn’t talk down to them.

The difference between something like this and the average animated comedy by Dreamworks studios is like the difference between a mountain and a rockpile. Like Pixar’s best films, Spirited Away combines eye-popping animation with memorable storytelling and a genuine sense of wonder to create pure movie making magic. Regardless of whether you’re a huge anime enthusiast, Spirited Away (and by extension, most of Miyazaki’s films) is utterly worth your time. If you like feverishly imaginative fantasy that transports you for a few hours from the mundanity of daily life, you’ll find a lot to love in Miyazaki’s masterpiece.

hayao spirited away