Tag Archives: Small Town

Broadchurch (2013)

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In a sleepy close-knit coastal town, 11-year-old Danny Latimer (Oskar McNamara) is found murdered, his body dumped on the beach. At first, it seems like the crime nobody could have committed- the people of Broadchurch are like friends and family to each other, and even the black sheep seem more or less harmless. But as surly outsider DI Alec Hardy (a worn-down, sunken-cheeked post-“Who” David Tennant) and D.S. Ellie Miller (the wonderful Olivia Colman,) who has ties to the victim investigate, they find that everyone in this town’s got secrets. And some of them are worth killing for.

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There are only eight episodes here, so you don’t have as much of a commitment as a viewer than a lot of TV shows. All the actors in this series are wonderful, and the show keeps you  on the edge of your seat. It’s nice to see that David Tennant is expanding his horizons beyond being the ‘cute funny foreign guy with the crazy hair.’ He’s genuinely good here as a disgraced detective with an serious heart condition that’s interfering with his work. What’s not nice is the fact that he will be duplicating the role in the pointless American remake “Gracepoint.” But I’ll explain my feelings about the superfluous “Broadchurch” carbon copy later.

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I’ve thought Olivia Colman was a tremendous talent since I saw her play the abused Christian charity shop worker in Paddy Considine’s wrenching “Tyrannosaur.” She does the great work we expect of her after her powerful portrayal of that character. Lots of the supporting players do great jobs too. I always thought of David Bradley as ‘that nasty greasy old dude’ as a faithful watcher of the Harry Potter movies. Here he shows range and depth playing a lonely man who may or may not be a sex offender.

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The side plot portraying the grief of Danny’s family- his mother, Beth (Jodie Whittaker,) his father, Mark (Andrew Buchan,) and his big sister Chloe (Charlotte Beaumont)- was heartbreaking. I had previously seen Jodie Whittaker in “Attack the Block,” which was a lot of fun, and she does a good job as a mother whose grief swallows up her life. And it was a laugh seeing Arthur Darvill (“Doctor Who”) as a vicar. I was glad they portrayed Rev. Paul Coates (Darvill) fairly instead of making him the babbling mindless hypocrite they usually portray religious authorities as. And I’m so glad they didn’t go the pedophile route with his character.

The mystery is really hard to figure out (at least for me, someone who doesn’t read or watch mysteries, but that might not be saying much.) At the end I had it narrowed down to a few characters, and one of the characters I picked turned out to be the killer, but I was still surprised. The scenery is beautiful, and the show shows that even in a idyllic town, there are still some people who are missing a few nuts and bolts. A murder can happen anywhere, but in my opinion, you shouldn’t surrender to fear and you should still let your kids live the freest life you can allow.

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This is a highly entertaining show, but it lacks the extra ‘umph’ to make me give it a higher rating than 4/5. My dad won’t watch it because he likes ‘fun’ shows and he thinks it will be depressing, but it is no more depressing than a murder mystery concerning a child has to be. And as far as sensitive viewers go there’s barely any violence whatsoever. I’m mad that the American remade it with the same damn actor (!) and as far as I can tell from the trailer, the show is exactly the same. Why the heck can’t Americans watch the original program instead of some cheap rip-off? But I digress. “Broadchurch” is a worthy watch carried on the shoulders of Colman and Tennant.

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The Hunt (2012)

Just as man has succumbed to the urge to kill, fight, and procreate since the beginning of time, also has man had the tendency to persecute others without clear or rational explanation. These attacks, popularly called ‘witch hunts,’ come under fire in the Academy-Award nominated Danish film “The Hunt,” which tells the story of how one little girl’s lie has devastating consequences. These consequences affect not only one man, but a whole community.

Lucas (Mads Mikkelsen) a mild-mannered, reserved divorcee and father of a teenaged son (Lasse Fogelstrøm) works at the local Kindergarten. He is fighting to gain more time with his son, and enjoys the company of the kindergarten kids as well as his  Swedish girlfriend, Nadja (Alexandra Rapaport.) Lucas is well-liked by the community, but is best friend is Theo (Thomas Bo Larsen,) the often-drunk father of Klara (Annika Wedderkopp,) a troubled young girl who is beginning to show symptoms of Obsessive-Compulsive Disorder.

When Lucas rejects Klara’s innocent-yet-inappropriate advances in forms of a gift and a kiss, Klara makes up a lie that has far-reaching consequences. Accused of indecent behavior towards the children of the Kindergarten, Lucas must deal with the loss of his career, his friends, and his safe niche in the community. Suddenly, he is distrusted by everyone, and people shun him and outwardly lash out at him. By the time Klara tries to take it back, it’s too late. Everything has changed.

Is this the face of evil?

I don’t really blame Klara for the way things turns out- I’m angry, yes, but I cannot hate or dismiss her. By the time the chips have fallen into place, she barely remembers what did or didn’t happen. Unlike the events in Craig Zobel’s “Compliance,” which were set off and carried past a certain point by pure idiocy (although “Compliance” is supposedly based on a real-life case,) the events in “The Hunt” are frighteningly plausible and even, for a while, understandable.

I loved the first scene. In a seemingly jolly outburst of mirth and indiscretion, a group of male friends go skinny-dipping in a cold lake. For a moment, all is well. Then a chill falls over the film as we are shown a shot of a chilly landscape. The amiable notes of “Moondance” by Van Morrison fade into pure silence. All is not well. Disaster is hovering over the hero’s head, and he will find himself doing and saying some things he never expected too.

Save the children!

Mads Mikkelsen is just terrific in the lead role. His portrayal of a desperate man going to desperate lengths to be heard is so dark and deep, you never doubt it for a second. All the actors are actually very good. Annika Wedderkopp, as five-year-old navigating conflicts way above her maturity level, is a young talent to
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“The Hunt” is just electrifying to watch because of the daunting relevance of the situation. Akin to the Salem Witch Trials, after Klara has told her lie, many of the schoolchildren start reporting abuse. You can imagine yourself in a situation like that, because if a little girl came to you revealing things she shouldn’t know, who would you believe? The adult, despite your nagging suspicions? Or the child, despite your friendship with the man in question. We all hate pedophiles. But what happens when that hatred becomes irrational and turns us into something monstrous? Very interesting food for thought.