Tag Archives: Michael Sheen

Jesus Henry Christ (2012)

]

Unfairly bashed by critics as self-consciously quirky and “hipster,” “Jesus Henry Christ” is a entertainingly quirky little film, featuring highly intelligent characters who must find their own way towards being happy.

Henry James Herman (Jason Spevack) is an enigma, a brilliant youngster raised by his single mother Patricia (Toni Collette.) Henry has a keenly incisive mind and a photographic memory, but there is one thing he doesn’t know… who his dad, an anonymous sperm donor, is.

Enter dweeby professor Slavkin O’Hara (Michael Sheen), whose latest mistake is putting his 12-year-old daughter Audrey (Samantha Weinstein)’s face on his new book, Made Gay or Born That Way? Audrey, as it turns out, is gay, but she’s not ready to be outed just yet, and Slavkin’s bug-up provokes the merciless taunts of her peers.

Henry decides to locate his father, which leads to a series of sometimes sweet, sometimes sad, sometime revelatory occurrences, which in the long run brings Henry’s makeshift family together.

But first Henry must contend with his skeptical mother and furious half-sister, while Henry’s appearance dredges up old memories in Slavkin, who must come face-to-face with how fractured he and his daughter’s relationship has become.

This film is not a masterpiece. I didn’t like parts of it. For instance, the white character who thinks he’s black and refers to the other characters as “white Devils” was kind of silly. The scene where Henry is bullied for writing an atheistic paper in Catholic school was a little obvious (Will there ever be a movie where the kid is bullied for being Catholic? Probably not.)

The movie I’d compare “Jesus Henry Christ” to is “Amelie.” The dark/cutesy whimsy and off-beat narration tie the two films together, but Jason Spevack’s Henry is simply not as likable as Audrey Tautou’s Amelie Poulain.

I mean, Jason Spevack is fine, but the real discovery here is Samantha Weinstein as Audrey, Slavkin’s defiant adolescent daughter. It’s hard to make a character of a preteen who hates everything and everyone not seem like an entitled brat, but Samantha Weinstein makes you sympathize with Audrey.

There is also a scene where Henry and Audrey go on a carnival ride, and Audrey’s shrieks of fright become joyful screams, that I thought was beautifully done. “Jesus Henry Christ” is an unfairly bashed addition to the genre of offbeat indie movies.

Beautiful Boy (2010)

Writer’s Note- I wrote this review a couple of years ago and just posted it on this blog now, so forgive me if the writing isn’t up to par with some of the later reviews. Also, I wrote this a little while before the film “We Need to Talk About Kevin” came out.

Within a span of a couple of years, two indie films with very similar premises hit festivals, their names being We Need to Talk About Kevin and Beautiful Boy. I have just seen the latter, a tremendously acted film that deals with the aftermath of rather than the build-up to a school shooting, and concentrates on the grieving parents of the shooter.

The tagline of this movie, “Everything seemed perfect… Everything would change” is grossly inaccurate, as the group in question is not a happy family. Katie and Bill (Maria Bello and Michael Sheen) are trapped in a failing marriage to the point of sleeping in separate beds, while college student Sam (Kyle Gallner) is suicidally depressed and can barely contain his tears as he talks to his parents by phone, as it turns out, for the last time.

Beautiful Boy‘s shooter does not seem to be a psychopath, as We Need to Talk About Kevin‘s promos show their angry young man to be. Rather, he seems to be a deeply unhappy person who irrationally not only wants to die, but wants to take some people with him.

Frankly, I don’t agree with the film’s statement that “it’s nobody’s fault.” Except in some rare cases, people are to some degree responsible for their own actions. If you say it is in no way the shooter’s fault, you’re taking away his role as perpetrator. Should we say the same for rapists? Pedophiles? If you don’t consider the kid a monster, fine (nor do I), but give me something here.

Paired with the son’s seemingly average home life, this makes the film’s act of violence rather puzzling. What really stands out is the acting, Maria Bello, primarily, but also Michael Sheen, Kyle Gallner, and Alan Tudyk (from the great series Firefly) as the concerned brother. The peculiarly named Moon Bloodgood and Meat Loaf are decent too, though not notably so. Some of Beautiful Boy reminded me of Todd Fields’ In The Bedroom, the guilt, the blame-placing, and the grief, without the relentless grimness of Fields film.

One plus is the minimal use of music to make a point, which is always applied with buzz kill in mainstream American films. Beautiful Boy is an emotional film — try to watch the scene where the parents receive the news without your lip a-quivering, and excellently acted, but a certain something keeps it from being an “unforgettable film.”

It may be the sentimentality or naivete placed deep within the script or the fact that, although there are many characters to care about, there are none who blow you away. I’m interested to see what We Need to Talk About Kevin does with the subject matter, and whether it surpasses this in content or style.