Tag Archives: Kevin Spacey

Horrible Bosses (2011)

“Horrible Bosses” has a premise somewhere along the lines of the 1999 Mike Judge comedy “Office Space” but “Horrible Bosses” is more brazen, more over-the-top, and in my opinion, funnier. Although “Office Space” had some valid things to say about the ennui of working in a corporate firm, “Horrible Bosses” throws reason to the wind to deliver a hilarious but completely unrealistic story of a couple of immature guys who want to kill their heinous bosses.

Nick (Jason Bateman,) Dale (Charlie Day,) and Kurt (Jason Sudeikis) are a none-too-bright trio of friends who have one thing in common- their rude, crude, and downright evil bosses. Nick’s boss Dave Harkin (Academy Award Winner Kevin Spacey) is a manipulative, outrageously jealous psychopath, while Dale, a faithful partner to his fiance (Lindsay Sloane,) is sexually harassed by his whore boss Julia (Jennifer Aniston, playing against type, with side-splitting results.)

When Kurt’s kindly boss Jack Pellit (Donald Sutherland) dies, Kurt is stuck with Jack’s wildly irresponsible, insensitive, coke-snorting son Bobby (an overweight, hairpiece-donning, practically unrecognizable Colin Farrell.) When the men’s jobs become hard to bear, the witless three hire a ‘murder consultant’ (Jamie Foxx) to help them finish the job.

Even though I don’t find Jason Bateman to be a particularly interesting actor, he does fine here and is boosted by a funny script. Overall, the comedic acting is very funny, although the humor might be too crude for some people’s taste. Having a man be sexually harassed by his hot female boss is a creative idea, and the indifference of his friends is relevant too- in society, males are supposed to be the horny ones who are receptive to any sexual signals, wanted or unwanted, coming their way.

Like if a man has sex with a fourteen-year-old girl, he’s a pedophile, and she’s a victim. If a woman has sex with a fourteen-year-old male, he’s a… very lucky boy? It doesn’t make sense, and the film illustrates hypocritical gender politics as Dale copes with his unusual dilemma.

I really think Horrible Bosses’ script is extraordinary, I was laughing throughout. I think “Tropic Thunder,” “Pineapple Express,” “Knocked Up” etc. are really overrated, and it’s nice to see an American comedy movie that’s the real deal, i.e. a really funny mainstream comedy. I also think that Jennifer Aniston and Colin Farrell are better than people give them credit for, and they were hysterical here as two of the three horrible bosses.

“Horrible Bosses” is consistently funny and I recommend it to anyone who likes a good, slightly dark comedy. The cast is great and the dialogue is very quotable. Overall, it is a wildly entertaining diversion and should be watched by comedy lovers everywhere.

Moon (2009)

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“Moon”‘s success stems from Sam Rockwell’s terrific performance and filmmaker Duncan Jones’ ability to create a compelling and smart sci-fi thriller with a small budget and only a few actors. The story itself is a little bit “Blade Runner,” a little bit the “Doctor Who” episode “The Almost People,” with a little bit of “The Twilight Zone” for good measure, but has a sense of self and a style all it’s own.
Sam Bell (Rockwell) as nearing the end of a three-year stint on the moon base Sarang, harvesting energy to support the earth’s population, when he starts seeing and hearing strange things. Sam is completely alone, save for the company of GERTY (voiced by Kevin Spacey,) a rather disconcerting artificial intelligence computer with an on-screen emoticon for a face. Sam yearns to get home to his wife Tess (Dominique McElligott)  and small daughter Eve (Rosie Shaw,) and seems to have a lack of trust for the computer that calls itself his friend.

When Sam sees a phantom girl while doing a routine job and crashes his lunar vehicle, life quickly deteriorates from isolated and lonely to frenetic and batshit crazy. Faced with a double that says it’s Sam as well, Bell must overcome his distrust for the duplicate and uncover the secret Sarang hides. Is Sam going crazy? Or is the company he’s working for, Lunar, covering up an aberrant secret?

I better not tell you anymore about the plot of this film (don’t look at the forums, don’t research it, just watch it!) but I will say that, while sometimes slow-paced, “Moon” is extremely well-done science fiction. Sam Rockwell’s performance holds your interest throughout and he does a phenomenal job playing two versions of the same person, but putting a unique spin on both men. Some scenes could be a little silly (such as a physical altercation between two duplicates) but Sam Rockwell does such a good job that he seems to just make it work.

The conclusion is crazy and heart-tugging but very well-thought-out and the movie might take a couple watches to fully understand. Strangely enough, the filmmaker, Duncan Jones is David Bowie’s son and was born Zowie (!)  He’s planning to make this the first in a trilogy of films set in the same universe, which I would definitely love to see. He also wants to make a graphic novel companion to “Moon,” called “Mute.” He’s got an abundance of imagination and I really hope he can make it happen.

Do not try to predict the twist ending of this movie. Do not look it up. It’s really one of those movies that are better when you go into them blind, so to speak. I will post the trailer here, but I highly suggest that you don’t watch it until you see the movie. I’m not ashamed to say that “Moon” is much better than “Inception” as a mind-fuck sci-fi thriller/drama and should have raked in the about a million awards “Inception” got for it’s mediocrity. Sam Rockwell is primarily a character actor but he has proved he can carry a full-length feature with practically no one else on screen. Like “Cast Away” or “Buried,” this is pretty much a one-man show, and Rockwell rises to the occasion spectacularly.

Watch it.

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