“Nightingale” is essentially a one-man show; you should know going in that David Owelowo is virtually the only actor in the film so you can avoid disappointment at not seeing a story play out in a more standard fashion. I payed no notice to Owelowo before seeing this movie, despite seeing him in some previous films, but I’ll make sure to keep a close eye on him now.
In this film he plays a homosexual, delusional ex-military man named Peter Snowden. Peter Snowden has been a bit of a mama’s boy most of his life; he is desperately at odds with her while still wanting her to see him for who he is and accepting him in earnest. Unfortunately, his Conservative Mama only sees what she wants to see; his flamboyance, his limp-wristed sensibilities, and her Christian friends aren’t doing either of them any favors.
However, when Peter is first introduced to us, his mother is no longer in the picture, having been murdered by him in a fit of rage only hours before. Peter, psychotic and dangerous, essentially offers us a long monologue in the form of his video blog, telephone calls, and his back-and-forth conversations with himself (and sometimes with his murdered mother) as he prepares for a very special dinner party. His mother’s lifeless corpse is splayed out on the floor of her room, but that doesn’t put a damper on his plans or his overall positivity.
The ‘guest’ for the dinner date is Edward, an old army friend (a very close friend, if you get my drift *wink*) and the object of Peter’s unadulterated obsession. Perhaps Edward is long dead, we think, more likely, he doesn’t want to see the crazed Peter. We soon learn that Edward is married to a woman Peter despises, Gloria, and has a couple of kids and what no doubt is a clean-cut, traditional suburban life.
You couldn’t have in less than an actor of an exceptionally high caliber running this show, and Owelowo delivers on this promise and more. He’s commanding but not showy, if that makes sense. Intense and often darkly funny (but maybe that’s just me) Owelowo keeps your eyes glued to the screen for the whole 1 hour 20 minutes of him just talking. Delusional, murderous, and spectacularly self-absorbed, Peter is not a likable character, but you do sympathize with him at some points- maybe genuine empathy, maybe abject pity, it’s hard to tell.
He callously murders his mother with little remorse, holds no regard for the feelings of those close to her, and disparagingly remarks on the developmentally disabled employees he works with as ‘retards’ (I laughed when he used this word, mostly because he resembles me at my worst, making cruel sport of people who can no more be cunning or stick up for themselves than a person in a wheelchair can get up and walk.) He seems more concerned with what fabulous gear he’s going to wear for his big date than the fate of his much-despised mother.
Even though we understand somewhat the dark nooks and crannies Peter’s mind by the closing credits, there’s a lot about him we don’t know. Were Edward and Peter lovers, and Edward, by extension, a closeted homosexual living a lie, or is Peter just a crazed stalker? What, exactly, is Peter’s illness? (I have seen he has been deemed a victim of PTSD online, but it seems his issues are rooted much deeper in his past, and frankly, he could just as easily be an unmedicated Bipolar patient or Paranoid Schizophrenic.)
Peter is complicated. He’s camp and tormented and fantastically manipulative and he makes a mean Salmon Steak with Walnut Sauce. he’s kind of a black Norman Bates for the iPhone generation, but Norman didn’t have this much style. Along the way, we get vague feedback on how this mother-son relationship went so desperately wrong (from the monumental, like her rejection of his sexual identity, to the infinitesimal, like how she’d rather spend her money on frivolous things than buy him a subscription to HBO.)
There’s certain symbolism to savor in the film’s intelligent script, from Adam and Eve, Peter’s new tropical fish pets (he buys them because they’re a favorite of Edward’s, and in fact, ‘Eve’ is just Adam’s reflection staring back at him) to the masculine military haircut and demeanor Peter adopts towards the end of the movie as he contemplates suicide (trying perhaps, in his own twisted way, to please Mother one last time.)
By the end of “Nightingale,” we cannot condone Peter’s actions, but we understand his point of view a little better, and ultimately, we feel a little more complete for having known him.
The Cinematic Emporium 