Rating: B/ Tom Hardy, in a car. Driving. For an hour and a half. Who knew such a movie would be watchable, let alone oddly compelling? Construction foreman Ivan Locke (Hardy) is in a bit of a bind. The woman he recently had an affair with (whose voice on Locke’s speaker phone is provided by Olivia Colman) is carrying his baby and has just gone into premature labor, triggering some complications with the birth. So Ivan, feeling responsible (and rightfully so) for the woman’s situation, drops his important construction job the next morning and the opportunity to watch a big football game with his two adolescent sons (voiced by Tom Holland and Bill Milner) to be with her for the event. Ivan’s lover’s needy and vulnerable, his wife (voiced by Ruth Wilson) wants to hang his philandering balls out to dry, and the job site’s a mess without him. Determined to do the right thing for once, Ivan juggles his responsibilities via phone calls as he makes his way to witness the birth of his illegitimate child. Continue reading Movie Review: Locke (2013)→
Two besotted crazies embark on a killer road trip and let loose their darkest desires in this pitch-black comedy with a never ending supply of bile and bite. Tina (Alice Lowe,) the slower of the two lovers (a little simple at best, borderline retarded at worst) is in her thirties but still lives with her domineering mother (Eileen Davies.) Mom is a wrinkled old vulture who is emotionally abusive towards her adult daughter and searches her room for condoms and signs of impropriety (she’s thirty, for God’s sakes!)
Tina goes against her mother’s wishes and goes on a road trip with her boyfriend Chris (Steve Oram) on a road trip in his caravan. The trip takes a violent turn when Chris accidently runs over a tourist (Tony Way,) but events become increasingly homicidal as Chris abates his insatiable appetite for murder. Sometimes one accidental death isn’t enough to appease your bloodlust.
Can we cease and desist on the comparisons to “Natural Born Killers” people? Totally different films done in totally different styles, with totally different intentions. One thing’s for sure, you’ll never look at potpourri the same way again. Unlike black comedies, like, say, “God Bless America,” the movie never tries to convince you that the victims ‘deserve it.’ The idiocy of the leads and the way they try to justify their actions to themselves and the viewer are a big part of the humor.
“Sightseers” wins laughs from it’s startlingly mundane yet disturbing portrayal of the main characters and their crazy, insane back-and-forth banter. Although the Schizophrenic editing in certain scenes wasn’t really my style, I loved the ending (although I predicted it right before it happened.)
Although Steve Oram is good in his role as a dim psychopath, Alice Lowe is terrific as the truly twisted and moronic Tina, who believes she is truly in love with Chris and finds she has a taste for his murderous lifestyle-a lifestyle that, due to the anti-heroes’ ineptitude as serial killers, wont pay of in the end.
If you have a sick sense of humor and want to watch something that’s off the grid, “Sightseers” might be the movie for you. I found myself distracted during the first half, but then I started to really get into it during the second half, leading up to the ingenious (but inevitable) ending. “Sightseers” is the kind of movie that flies under the radar but is worth seeing by people whose taste is subversive enough to really enjoy it.
I wish I had connected with “Paddington” more than I did. This CGI-animated family adventure has beautifully lifelike special effects, and the jokes commonly hit the mark, at least to some extent, but the film, plot and character-wise, leaves much to be desired. Of course, it’s an entertaining feature to pass the time, and kids and adults should be amused by this diversion, but it fails as a truly great family feature.
When Paddington Bear (voiced by Ben Wishaw)’s home in the rainforest gets demolished and his Uncle Pastuzo (voice of Michael Gambon) unexpectedly dies, the bear’s Aunt Lucy (Imelda Staunton) sends him as a stowaway on a boat bound for London, where she encourages him to get in touch with the intrepid explorer who befriended the bears an indeterminate amount of time before, Montgomery Clift (Tim Downie.)
The continued lifespan of Clift seems highly unlikely, but while waiting at the station Paddington is taken home by the eccentric rown family- loving mother Mary (Sally Hawkins,) uptight dad Henry (Hugh Bonneville,) and bored kids Jonathan (Samuel Joslin) and Judy (Madeleine Harris.)
The irate Henry has trouble warming up to this big-hearted bear with a knack for trouble, and while the family unit gradually succumbs to Paddington’s cuteness, Cruella De Ville-esque baddie Millicent (Nicole Kidman) prowls the scene, set on stuffing Paddington and putting him on display in a museum!
“Paddington” is quite the potpourri of happenin’ British talent, including Julie Walters as a live-in relative of the Brown’s and Peter Capaldi as the kind of meddling neighbor everyone’s had at one point or another, who becomes stupidly enamored with Kidman’s venomous femme fatale. The CGI is amazing, and brings vim, vigor, and personality to the bears that the script falls a little short on.
Now for the weaknesses- I didn’t really care about any of the characters, not even Paddington, who despite being cute and fuzzy, and a brilliant visual creation, was not really all that compelling. The plot of very typical and the big showdown was mundane as they come. The kids were annoying and rude, particularly the girl.
On the other hand, she was obviously going through a scary time called puberty, so her dark moods and constant embarrassment at the antics of her family were realistic, they just weren’t very fun to watch. The boy wasn’t as bad but was very disrespectful to his father, stating at one point that “Dad’s always been boring and annoying.”
I didn’t perceive a development of genuine respect between the kids and their father. Dad gets treated like a trained monkey throughout, rewarded with hugs and conditional love when he does right, and being totally disregarded when he acts like a grouch. Should the monkey rise to the occasion and let the bear stay, give him a banana. The characters and relationships were rather stereotypical, although the actors did what they could with the clichéd material.
However, the jokes were often effective, and I laughed readily at various points of the movie. Paddington wrecking the bathroom, Mr. Curry’s hopeless crush on the villainess, Henry Brown going into the information bank in very deep disguise… these scenes were amusing (if somewhat sitcomish and, in the cast of Capaldi’s infatuation, ripped directly from “Enchanted.”)
I felt conflicted while watching “Paddington” because while I was entertained overall by the motion picture, I kept thinking that the British actors featured had been in much better movies that won’t get nearly the attention that this did. Make no mistake, I think this is a good family movie that adults should get enjoyment out of. But it is not worthy of the rave reviews it has been getting. It just doesn’t have the innovation and genuineness of something like “Frozen” or “Up.” In other wards, a good kids movie, but not an outstanding film.