Thursday Movie Picks: Devastating Movie Endings


My first emotional scene was a musical sequence in a Disney Sing-a-Long Songs Video (this particular song being from “Beauty and the Beast”) where the villain, Gaston, shoots a bird right out of the air and his toadie (can’t remember his name) catches it in a bag. I was so heartbroken for that bird that I hid my VHS tape and swore not to speak of it or think about it again- out of sight, out of mind, right? I like to think I’ve toughened up since then, though I’m still a big marshmallow at heart. 🙂 Here are my picks…

  1. Dead Man’s Shoes (Directed by Shane Meadows)

dead man's shoes

“Dead Man’s Shoes” is more than a mere revenge flick. It’s a contemplative and extremely dark study of guilt, violence, and familial responsibility that hits the viewer hard throughout, but the real gut-punch is the ending. Richard’s admission of lifelong ambivalence and even embarrassment toward his developmentally disabled brother and his self-loathing and shame is wrenching. One thing for sure, this movie doesn’t end the way you’d expect it to- not with a gleefully bloody act of vengeance, but with tragedy.

2. American Heart (Directed by Martin Bell)


I’m pretty sure “American Heart” was the first movie to make me cry in a long, long time. It’s one of those movies where shit goes down in the worst possible way, which is a shame, because you care about these characters (even Jeff Bridges, who for all intents and purposes is a terrible father.) You’re left thinking what is this kid going to do now that his tenuous grip on a better future has been ripped from him? Tom Waits has a naturally sorrowful sound, so ending the movie with a song by him seems a fitting way to finish.

3. The Living and the Dead (Directed by Simon Rumley)


It’s no secret I have quite a complex relationship with this movie. How can a film be so uneven, yet so hypnotic in it’s disturbing psychological horror? As the mentally challenged James (Leo Bill) loses his tenuous grip on reality, he destroys the lives of those closest to him. The circumstances under which he ends his life make me shiver even seven years after seeing this film for the first time. The fact that I found myself sympathizing with him despite his volatile idiocy made it even harder to watch. I think this is what mentally ill people really fear- losing it to the point where they’re a burden or even a danger to their loved ones. This movie incorporates that fear to chilling effect.

4. Dancer in the Dark (Directed by Lars Von Trier)


Ah, Von Trier. All his movies are depressing as fuck. It was between this and “Breaking the Waves,” but someone had already chose that cheerfest and hey, at least Bess goes to heaven at the end after suffering and degrading herself for 2+  hours. Selma (Bjork) is just left hanging there in one of the most nihilistic film endings ever. Her screaming and begging as she is prepared to be executed will rape your soul a little. So it will come to you as a bit of a shock that the clit snip in “Antichrist” will ALMOST leave you nostalgic for the early Von Trier.

5. The Wrestler (Directed by Darren Aronofsky)


What do you do when your friends are all gone and you’re utterly alone in an uncaring world? Do what you love, even if it kills you. So that’s what affable loser Randy Robinson (Mickey Rourke) does, which is awful for us (the viewer) because Randy is a character you really grow to like, despite his tendency to bungle damn near everything in his life. “Requiem for a Dream” (also by Aronofsky) is a good candidate for this list too, but it was actually quite over-the-top (and already picked for this particular blog-a-thon) so “The Wrestler” it is.

6 thoughts on “Thursday Movie Picks: Devastating Movie Endings”

  1. The Wrestler is the only one I have seen. Great pick, there. Some of the others sound intriguing, but can’t say that I’m in a rush for any of them.

    1. They’re all good movies, especially “Dead Man’s Shoes.” I’m a big Shane Meadows fan, “A Room for Romeo Brass” is excellent if you can get hold of a copy (it was streaming on Netflix for a while, not so much anymore.) The problem with “Dead Man’s Shoes” is it’s a low budget film, which wouldn’t be so bad except the audio is shit and the actors talk in thick Midlands accents. I have a DVD but I’ll buy a new copy if they decide to remaster it.

    1. You’ve got to see “Dead Man’s Shoes” if nothing else. It’s an amazing revenge film, though disturbing (it’s not as much the violence against the gang members- who are not exactly undeserving that’s distressing- but the psychological and physical abuse against the blameless mentally retarded kid brother will make you want to leave the room at parts.) Paddy Considine is outstanding; Toby Kebbell is quite good also as the disabled boy (Similar to “What’s Eating Gilbert Grape,” he almost casts the illusion that he’s really LD.)

      I keep telling a friend that she should see “The Wrestler,” but she really hates Mickey Rourke. ‘But he’s really good in this movie. Really, really good.’ No luck so far. I really felt for Marisa Tomei too, what ungrateful douchebag guy would turn down a lapdance from Marisa Tomei, middle-aged or not? It burned me up how those punk kids disrespected her. What they didn’t realize was that everyone has feelings and insecurities, even strippers. And she did NOT look bad for her age (Randy was right to reem them out.)

  2. I found Dancer in the Dark to be one of the most wholly depressing, yet beautiful, movies I’ve ever seen. I’d love to see it one more time but I don’t know if my soul can handle it. I vowed I’d never watch it again.

    1. Agreed. I loved the “I’ve Seen it All” song. And hey, Peter Stormare playing a decent guy for a change (a welcome departure from “Fargo,” “Hansel and Gretel- Witch Hunters,” and pretty much everything else he’s been in.) By the way, is this Paige Parr, mom of Cole and Ashlyn?

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