Being an identical twin can be murder. Just ask Niles Perry, a well-mannered thirteen-year-old whose twin brother Holland possesses a sadistic streak and a penchant for causing deadly ‘accidents.’ Niles both loves, fears, and is in intense awe of his enigmatic brother, but all is not what it seems in Thomas Tryon’s Gothic psychological horror novel.
I had a rocky start with this novel, because I kept on wondering how Niles could not suspect his brother of wrongdoing. I was relieved to find, however, that the (cleverly wrought) twist midway through the book rendered these concerns obsolete. If Niles seems outrageously naïve, that just makes the revelation all the more effective.
Novelist Thomas Tryon evokes the homey mystique of a 30’s Connecticut farming town. Pequot Landing, as it so happens, is an idyllic place to grow up for children who are independent and reasonably well-adjusted, because of the freedom such a locale offers (kids can go wherever they want and do whatever they want, within reason,) but the stifling gossip of the town ladies also makes it important to tread carefully while within earshot of anyone who might decide they want your family problems as fodder for discussion.
For the Perry’s, for which insanity seems to run in the family, the continual stream of hearsay is never-ending. If you can get by Tryon’s penchant for long, elaborate, needlessly wordy sentences, ‘The Other’ might prove to be your new favorite creepy-cool summer read. You might be surprised that despite the fact that it was published in 1971, it’s aged quite well and doesn’t seem watered-down in terms of horror by jaded modern standards.
There are deaths a-plenty in “The Other,” and the one that bothered me most (even more than the particularly taboo murder at the end) was the demise of elderly widow Mrs. Rowe. Damn it she just wanted to have some tea and lemonade with the local children! Why must the lonely old bird be treated so? :_(
“The Other” makes you think about what people do to keep their loved ones out of the mental health system, and how that initial act of mercy can prove to be destructive later on. Doesn’t the boys’ Russian grandmother, Ada, know her grandson is a raving lunatic? Of course she does. But she refuses to anticipate the consequences of keeping such a boy at home with her, and her naiveté is punished tenfold.
I’ve heard of people whose family members continually lashed out at them; people who’s loved ones had to be locked in their room at night. In the end, the decision lies with the caregiver, but sometimes it’s not only easier, but kinder just to let go. This is an extreme version of a situation many people deal with- the seemingly impossible challenge of loving and caring for a severely emotionally disturbed child.
Ultimately, I think Tryon is too hard on old Ada. Yes, it was her ‘game’ that led to much of the insanity in the first place. But she is only human. And If the game had never came to be? What? Tragedy may have been avoided, but sociopathy and madness still ran thick in the Perry’s blood. While Ada’s final act seemed somewhat out of character, it was a decision born of extreme desperation, not evil or cruelty.
Although I found Niles annoying throughout (though he seemed surprisingly less so after I found out the twist,) I thought ‘The Other’ was a chillingly rendered, deliciously Gothic read. I love those kind of Gothic stories involving family secrets and sequestered craziness, so this was right up my alley. Now I want to rent the movie.