As much as I would like to root for the little man, stick it to the Hollywood studios, and support this small-budget indie horror film, I cannot. All I can say is this- good God this movie is horrible. The budget is tiny, which shouldn’t be a problem, but it so much so that it becomes a distraction. The acting is mediocre. The plot is rife with holes. It’s a disaster. I’m sorry to be so blunt, but this movie isn’t really worth watching on streaming for free, let alone paying a rental price.
Middle-aged, venomously mean-spirited businessman Kurt Wendell (Jonathan Hansler) is fired from his job, much to his chagrin. At home, he’s making his family’s lives a living Hell- his long-suffering wife (Andrea Gordon,) who may be getting a little nookie on the side, his weak-willed, latently homosexual son (Christopher Rithin,) and his pouty daughter (Nicola Posener.)
To Kurt, his son is a pussy and his daughter’s a slut, and he detests his kids and his wife in equal measure. But Kurt has a plan- he schemes to take his family to a summer home for one last vacation, kill them, and then himself. The drama unfolds at the isolated house, where Kurt takes it upon himself to end his family’s complaints- once and for all.
Jonathan Hansler plays Kurt with manic chutzpah, but Jack Nicholson in “The Shining” he is not. Gordon comes off best as a wife and mother trapped in a loveless marriage. Rithin and Posener are tragically mediocre as beleaguered kids who are too stupid for their own good.
There’s a lack of logic in the script that becomes increasingly obvious by the 1/3rd point. In one scene, the daughter, Megan, unsuccessfully tries to untie a man her father’s taken captive while Dad’s outside. Earlier, her dad took her cell phone and made it all too obvious he was not going to let her leave alive.
Later, she reveals to her mother that she has a second cellphone, which is later taken from her and smashed by her murderously irate dad. The question I have is, why didn’t she call the police while her father was distracted rather than spending 10+ minutes trying to uselessly untie the prisoners constraints with her ineffectual soft little girly hands?
In another scene, the mother gets her kids in the car and tries to drive away but the car doesn’t start. Okay, we’ll accept the oldest horror cliché in the book, but not this- Mom, in all her infinite wisdom, has not locked the door to the driver’s side, leaving it all too easy for Kurt to pull it open and drag her out. I guess she thought her car was going to zoom off like “Need For Speed” and leave her homicidal hubby in the dust.
Grainy photography, poor effects, gaps in logic- “Axed” has all the telling signs of a first feature. A victim’s black eye looks all too fake, while the blows inflicted on the said prisoner are woefully artificial. Last but not least, we have Kurt himself, who is too vile and reprehensible to be a remotely likable or even empathisable character.
What are we supposed to say about a movie that features as one of it’s final plot points a teenaged girl flashing her bra and panties at her murderous father to distract him from killing her (can we say anything?) I think her exact words were “Come and get it, Daddy.” With a script this sad, I bet the filmmaker wishes he could miracle himself into a time machine and undo the whole thing. I certainly would!